• Typography

    Typography

    Typography, the art of arranging letters and text to make them not just readable but visually engaging, is a vital part of design and contemporary art. Over centuries, it has grown from a simple tool for communication into a powerful way to convey identity, emotion, and ideas. The Journey of Typography Typography’s story begins with […]

  • Serendipity 2024 Images

    Serendipity 2024 Images

    Serendipity Arts Festival, with its staggering scale of 1,800 artists, 22 venues, and 200 projects, can indeed feel overwhelming to navigate. To bring clarity amidst the creative whirlwind, we’ve curated a series of striking images that highlight pivotal moments in the visual arts. These snapshots capture the essence of diverse artistic expressions—installations and exhibitions that […]

  • Sculpting Nostalgia: Suchit Sahni’s New Series of Automobile Sculptures

    Sculpting Nostalgia: Suchit Sahni’s New Series of Automobile Sculptures

    Suchit Sahni’s latest venture into sculpture is a significant departure from his earlier practice, yet it feels like a natural extension of his artistic journey. Known for his vibrant paintings of automobiles and urban narratives, Sahni now translates his fascination with movement, energy, and nostalgia into the realm of three-dimensional art. This new series of […]

  • The Prestige of Art: An Endangered Legacy

    The Prestige of Art: An Endangered Legacy

    There was a time when the pursuit of art carried immense prestige, a time when discerning collectors viewed their acquisitions as both an investment and a reflection of cultural sophistication. Today, however, that vision appears to be fading. The current generation of affluent individuals, seduced by the allure of real estate and high-end cars, seems […]

  • A line

    A line

    “A line… that’s where everything begins. It’s the first breath of form, the pulse of imagination. Without lines, what remains? Chaos. It’s funny how people think abstraction is the abandonment of structure, when really, it’s about finding new ways to compose it—lines being the very bones beneath the surface, hidden but essential.

  • Between abstraction and figuration

    Between abstraction and figuration

    The balance between abstraction and figuration allows me to create a dialogue between what is seen and what is felt. Mythological characters or spiritual elements in my work are not rendered explicitly—they’re hinted at, inviting viewers to engage their imagination. This ambiguity brings the forms alive, encouraging individual interpretation.

  • I am free

    I am free

    “My hands move instinctively, tracing the lines, the angles—each stroke rooted in something ancient, something sacred. The Mehrab, to most, is just an architectural form, but to me, it’s more. It’s a symbol of resilience, of structure amidst chaos. In its symmetry, I find my balance, my grounding. Yet, it’s not rigid—no, my process allows me to break free, to bend those lines, to let them flow where they need to.
This is my sanctuary, my release from the world’s noise.

  • The Revival of Traditional Mediums: Textile, Printmaking, Sculpture, and Their Modern Derivatives

    The Revival of Traditional Mediums: Textile, Printmaking, Sculpture, and Their Modern Derivatives

    In recent years, there has been a noticeable revival of traditional artistic mediums such as textiles, printmaking, and sculpture. These practices, once considered niche or outdated in the face of newer digital forms, are returning with renewed significance in contemporary art. This revival is not merely nostalgic; it reflects a deeper movement toward reconnecting with […]