• The Work Goes On

    Tap aur Tapish was a monumental exhibition. Monumental in scale, ambition, risk and, above all, in ceramic. I have known Vipul Kumar for around a decade. Over those years there have been exhibitions, studio visits, long conversations, disagreements, difficult decisions and many cups of tea. I have watched his practice evolve closely. So, for me,…

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  • Within

    Even the greats struggle. They search, withdraw, question. They carry their solitude quietly. And somewhere within the chaos, a line appears, a thought takes shape, and what was once deeply personal finds its way into the world.

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  • The Long Way to Clay

    Some artists arrive with a plan. Vipul Kumar did not. Chance brought clay into his life. Resolve made him stay. Over a decade of conversations, studio visits and shared meals, I have come to understand that the sculptures are only part of the story. The man behind them is equally compelling. This essay is not…

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  • What the Walls Hold

    Harpreet Narula turns the painted walls of Shekhawati and Punjab, the logic of the loom, and the patience of repetition into an abstraction rooted in place. On the eve of his first solo exhibition, a case for why this work matters and where it goes.

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  • The Kettle

    A reflection on memory, nostalgia, and the emotional lives carried quietly inside everyday objects. A review of artist Suchit Sahni’s metal sculpture The Kettle.

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  • Lines

    For Abhijit Pathak, the line is a gesture, a structure, rhythm, and a direct emotional connection between thought and surface.

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  • Rubkirat Vohra

    An intimate conversation on faith, architecture, fragility, memory, ambition, and the search for emotional truth through abstraction.

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  • In an Age of Visibility

    Reshma Chordia reflects on galleries, power, commerce, visibility, and the shifting realities of the contemporary art ecosystem.

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