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  • Sculpting Nostalgia: Suchit Sahni’s New Series of Automobile Sculptures

    Sculpting Nostalgia: Suchit Sahni’s New Series of Automobile Sculptures

    Suchit Sahni’s latest venture into sculpture is a significant departure from his earlier practice, yet it feels like a natural extension of his artistic journey. Known for his vibrant paintings of automobiles and urban narratives, Sahni now translates his fascination with movement, energy, and nostalgia into the realm of three-dimensional art. This new series of […]

  • The Prestige of Art: An Endangered Legacy

    The Prestige of Art: An Endangered Legacy

    There was a time when the pursuit of art carried immense prestige, a time when discerning collectors viewed their acquisitions as both an investment and a reflection of cultural sophistication. Today, however, that vision appears to be fading. The current generation of affluent individuals, seduced by the allure of real estate and high-end cars, seems […]

  • A line

    A line

    “A line… that’s where everything begins. It’s the first breath of form, the pulse of imagination. Without lines, what remains? Chaos. It’s funny how people think abstraction is the abandonment of structure, when really, it’s about finding new ways to compose it—lines being the very bones beneath the surface, hidden but essential. You see, a […]

  • Between abstraction and figuration

    Between abstraction and figuration

    1. Can you walk us through your process? How do you begin conceptualizing a new sculpture?Vipul Kumar: Every sculpture starts with a seed of an idea, often inspired by themes of spirituality, mythology, or Buddhist philosophy. I immerse myself in these concepts through research, contemplation, and sketching. Once the concept begins to take shape, I […]

  • I am free

    I am free

    “My hands move instinctively, tracing the lines, the angles—each stroke rooted in something ancient, something sacred. The Mehrab, to most, is just an architectural form, but to me, it’s more. It’s a symbol of resilience, of structure amidst chaos. In its symmetry, I find my balance, my grounding. Yet, it’s not rigid—no, my process allows […]

  • The Revival of Traditional Mediums: Textile, Printmaking, Sculpture, and Their Modern Derivatives

    The Revival of Traditional Mediums: Textile, Printmaking, Sculpture, and Their Modern Derivatives

    In recent years, there has been a noticeable revival of traditional artistic mediums such as textiles, printmaking, and sculpture. These practices, once considered niche or outdated in the face of newer digital forms, are returning with renewed significance in contemporary art. This revival is not merely nostalgic; it reflects a deeper movement toward reconnecting with […]

  • Why Galleries Should Stay Open to the Public (Even if Architects Buy Most of the Art)

    Why Galleries Should Stay Open to the Public (Even if Architects Buy Most of the Art)

    Imagine if galleries went exclusive, catering only to architects, designers, and consultants: In short? Keep those doors open. You never know if your next patron is an architect—or just someone who came in for the free food and beverage.